B-W-H: 74-53-76
Hobbies: Singing Enka, Playing Shogi
Tomoe's got a seriously retro aesthetic—she dresses like a yakuza member and gravitates toward everything associated with 1950s Japan. Her hobbies reflect this oddly nostalgic taste: she's into enka, the melancholic vocal style that dominated postwar Japan, and she plays shogi competitively. Even her idol costumes echo classic enka fashion. She usually rolls with an entourage of suited bodyguards, giving off vibes that belong in a completely different era.
Her personality is pretty distinctive. She's got this stubborn, slightly rebellious streak, and she's convinced she's tougher and stronger than she actually is. Her strict father drilled domestic responsibility into her early on, always saying something like, "When a man's out working, the woman protects the household." She used to bristle at that idea, thinking women deserved freedom too—but over time she's internalized it, especially since she sees the Producer as playing that "working man" role in her career.
Tomoe's also got some pretty opinionated views on gender dynamics. She genuinely believes that any man worth his salt shouldn't slack off, and if he does, his wife's got every right to discipline him harshly. She's very particular about her image and what she wears; frilly or overly feminine stuff makes her uncomfortable, and she definitely wasn't happy when she found out Atsumi Munakata was checking her out or when the Producer suggested putting her in skimpy animal costumes. In the Cinderella Girls Theater skits, she's surrounded by servants in black suits who call her "Mistress"—she's a hard worker and pretty much a homebody despite her tough exterior. She once met Mizuki Kawashima at the beach and was genuinely awed by the idol-like presence she had. She's performed enka at New Year's concerts dressed in traditional garb, staying true to her style.
Content compiled by AnimeList.moe from publicly available sources.
